Their relationship is unstable from the start. It became possible because she betrays her father. Her character is not that deep, as others, but she is still the object of the affections of the men in the play. She is intelligible, kind hearted and faithful to the end. Racism in the play shows up early when Othello is compared with a black ram: It is unacceptable for a young white woman to be with an older black man.
Barbantio claims that only witchcraft can make his daughter, a spirit so still and quiet, to fall in love of what she fear to look on.
This refers to Othello, who, is now not seen as the man who was loved by Brabantio. His love is not approved immediately, because he is not what is expected from Desdemona to be married to. Her father rejects him, with prejudice on his race, and with fear about losing his good name in society. On the one hand discriminated, on the other well accepted, The Moor is now not just a moor, not just a general; he is husband, respected by his wife and the majority.
He supports this impression, until his jealousy obsesses him and leads him to the most tragic display of it. Two people in love, each completes the other.
That is how Desdemona and Othello, together, look at first sight. He has unruly temper, and she is calm; she is compassionate, he needs this; she adores him, and so does he adore her. Both with such passion for each other. His lack of trust and his dubiety crush his common sense and Iago sows the seed of jealousy and suspicion so easily. Nevertheless Othello never stops loving Desdemona, nor she stops loving and supporting him, even when he is far more different than a trusting, gentle husband.
Yet the destruction of their initial idyll is inevitable. The brightest spots in the play are the masterful creation of the individual characters in the backdrop of a patriarchal society. In the development of the plot of the story, Shakespeare showed us the complexity and versatility of character features which embodied in the conflict.
From boundless to obedience Desdemona was born a noble woman, beautiful, kind-hearted and pure in thought. She gave up her noble and comfortable life, betrayed her rich and powerful father to marry Othello.
She was completely different from the conventional sense of the women of that era. She was beautiful and kind, she was very down to earth to anyone, including the servants. Before getting married, Desdemona was active, brave, bold and confident; she was proactive and not afraid to take actions.
For example, in the fight for her marriage, she showed the rebellious spirit of a new age woman who dared to challenge the patriarchal family. The cause of this change was the lack of struggle from the judgments she faced based on societal norms. She was married and she saw no need to continually prove to the world that her marriage was proper.
She transferred her status from an obedient daughter to an obedient wife. She consciously abandoned the rebellious character, regarded Othello as a new master, and offered unconditional obedience to Othello. She thought her love was impregnable and the man she loved would be consistent. Her demise was contributed partially by her own naivety. In Othello, the character of Desdemona is very devoted to her husband.
She feels that love is a very deep emotion between two people. Like Emilia Desdemona does feel that the physical aspect of love is important, yet she feels that to be entirely in love there is a much stronger and deeper connection. Completely devoted to her husband, she defends him even while accusing her of being unfaithful. In Desdemona s view she feels that complete and total devotion is the only way to show her love for here husband.
I do perceive here a divided duty. To you I am bound for life and education, my life and education both do learn me how to respect you. There is no better way to describe Emilia s view on men other than to say men are pigs! She has absolutely no respect for men, as does she feel that men feel the same way about woman.
It seems as if she has awful experiences with men in her past, for she is always very bitter while speaking of them. Tis not a year or two shows us a man.
They are all but stomachs, and we all but food; they eat us hungrily, and when they are full, they belch us.
- Desdemona, the Heroine in Othello In William Shakespeare’s Othello Michael Cassio’s praises of the richly blessed Desdemona, as he awaits her arrival on Cyprus, are well deserved. This essay will .
However ultimately the idea of Desdemona not consummating her marriage, her juxtaposition with Emilia (who realises it's a give and take relationship with her husband) and Desdemona's pure shock at the idea of adultery clearly highlighting that she is indeed an innocent tragic victim.
(Othello ) In Othello by William Shakespeare, Othello and Desdemona run away to get married and attempt to build a life together, despite their differences in age, race, and experience. Their marriage is ruined by the jealous Iago, who convinces Othello that Desdemona is cheating on him with Cassio. - Desdemona in Othello In William Shakespeare’s tragic drama Othello, the wife of the protagonist is Desdemona. She is a lovely, intelligent, wholesome and pious person. This essay will analyze her.
Othello - English Essay The contrasting characters; Desdemona and Emilia, form an interesting and important relationship in the play Othello. Desdemona is very sheltered from the ways of the world and Emilia is very down to earth and experienced. Desdemona, the Heroine in Othello In William Shakespeare’s Othello Michael Cassio’s praises of the richly blessed Desdemona, as he awaits her arrival on Cyprus, are well deserved. This essay will amply support this statement.